Hip-hop dance refers to social or choreographed dance styles
primarily danced to hip-hop music or that have evolved as part of
hip-hop culture. This includes a wide range of styles notably
breaking, locking, and popping which were developed in the 1970s by
Black and Latino Americans. What separates hip-hop dance from other
forms of dance is that it is often freestyle (improvizational) in
nature and hip-hop dancers frequently engage in battles—formal or
informal freestyle dance competitions. Informal freestyle sessions
and battles are usually performed in a cipher, a circular dance
space that forms naturally once the dancing begins. These three
elements—freestyling, battles, and ciphers—are key components of
hip-hop dance. More than 30 years old, hip-hop dance became widely
known after the first professional breaking, locking, and popping
crews formed in the 1970s. The most influential groups are the Rock
Steady Crew, The Lockers, and the Electric Boogaloos, responsible
for the spread of breaking, locking, and popping respectively.
Parallel with the evolution of hip-hop music, hip-hop dancing
evolved from breaking and the funk styles into different forms.
Moves such as the "running man" and the "cabbage patch" hit the
mainstream and became fad dances. The dance industry in particular
responded with studio/commercial hip-hop, sometimes called new
style or L.A. style, and jazz funk. These styles were developed by
technically trained dancers who wanted to create choreography for
hip-hop music from the hip-hop dances they saw being performed on
the street. Hip-hop dance is now practiced at both studios and
outside spaces. Internationally, hip-hop dance has had a
particularly strong influence in France and South Korea. France is
the birthplace of Tecktonik, a style of house dance from Paris that
borrows heavily from popping and breaking. France is also the home
of Juste Debout, an international hip-hop dance competition. South
Korea is home to the international breaking competition R16 which
is sponsored by the government and broadcast every year live on
Korean television. The country consistently produces such skillful
b-boys that the South Korean government has designated the Gamblerz
and Rivers b-boy crews official ambassadors of Korean culture.[1]
To some, hip-hop dance may only be a form of entertainment or a
hobby. To others it has become a lifestyle: a way to be active in
physical fitness or competitive dance and a way to make a living by
dancing professionally. Source:
http://en.wikipedia.org/wiki/Hip_hop_dance